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Current International Art News

Posted on May 19, 2009 at 7:03 AM by Tracy Frost.

May 18, 2009

Chicago Architecture: Storied Past, Too-Starry Present? "Chicago's light has dimmed as a capital of architecture. ... In fact, the designs that Gehry and Piano have supplied for Chicago point to the twin dangers of 'star-chitecture': bombastic, signature gestures on the one hand, predictable products on the other." The Times (UK) 05/19/09
 
With Rose Museum's Future Murky, Visitors Note A Closure "Yesterday marked the closing of the Rose's temporary exhibitions on 20th-century abstract expressionist Hans Hofmann and a second show, 'Saints & Sinners.' The day had special significance because on July 22, when the museum's doors reopen, the Rose will probably not have a proper director or curator. That's the result of the university's still-developing plans to change the Rose's mission and sell some of its art." Boston Globe 05/18/09
 
Police: Stolen Henry Moore Sculpture Melted For Scrap "One of the most audacious British art thefts, the disappearance of a two-tonne Henry Moore sculpture worth £3m, has been solved by police, who believe that the internationally revered Reclining Figure sculpture was melted down and sold for no more than £1,500." The Observer (UK) 05/17/09
 
Canada's Cultural Heritage - Rotting Away? "Canada's heritage is slowly rotting away as museums merely pretty up objects that are going on display, say museum administrators and conservators. As they mark International Museum Day this weekend, they cheerfully welcome visitors into new, gizmo-packed galleries and restored historic sites. Behind the scenes, however, in the storage areas and warehouses where the bulk of any museum collection is located, they wonder how much longer they can hold time at bay." The Globe & Mail (Canada) 05/18/09

 

May 17, 2009

Chicago Art Institute Addition - A Relationship To The City "I can think of no other art museum in the world that mingles the experience of art and existing urban architecture so boldly and directly. And I can think of no other architectural heritage so appropriately considered alongside modern art." Milwaukee Journal Sentinel 05/17/09
 
America's Most Endangered Places The list "reminds us how often people and groups who never signed up to be preservationists are thrust into the role. Schools, churches, hospitals all have primary purposes that make it awkward and sometimes impossible for them to be stewards of historic structures." Washington Post 05/17/09
 
Hockney: Report On Boys And Art Is Wrong "David Hockney has condemned school inspectors for saying boys are turned off art by lessons that are too focused on drawing and painting." The Guardian (UK) 05/15/09
 
Rehanging Tate Modern "Onward, ever onward! That has been the steady objection to Tate Modern's displays ever since 2000, the criticism that everything is chosen for its quick-fire impact, each hit raising a craving for more. And it is true that each of these works is exhilarating - but also absorbing. The careful arrangement of each room this time, what is more, allows for a much more contemplative pace." The Observer (UK) 05/17/09
 
Gardner Museum Wants To Demolish Building. Furor Ensues "The museum's board of trustees votes tomorrow on a major expansion plan that would pave the way for the Carriage House's demolition. And, at the 11th hour, the fate of the once-handsome building has erupted into a furor, perhaps the most serious crisis at the museum since the nighttime theft of several masterpieces in 1990." Boston Globe 05/16/09

 

May 15, 2009

Chicago Art Institute Exemplifies The New Chicago "If you look at the last 130 years since Chicago became a serious city, nothing really compares to what has happened in the last 15 years here. We've gone through such a good period that we can afford to rest for a while." The Art Newspaper 05/13/09
 
Renzo Piano's Sweeping New Chicago Art Institute Addition "While the Modern Wing brings an elegant aloofness to the cityscape, it also points to the infatuation of risk-averse trustees with the high-minded sensibility Piano first expressed in the 1986 Menil Collection in Houston." Bloomberg 05/14/09

 

May 14, 2009

At Anemic Auctions, The Buyers Are Back -- With Caution "The art market may have just laid down its new floor. The major spring art auctions that conclude Friday in New York were the smallest round in terms of total sales in five years, but collectors have begun venturing back into the market in search of art bargains." Wall Street Journal 05/15/09
 
Low-Income Kids Locked Out Of Museums For The Summer "Consider this: When the Chicago Public Schools year ends June 12, elementary students will not be able to visit for free the Field Museum, the Adler Planetarium, the Museum of Science and Industry -- because none offer free days until September." At other museums, admission for kids is free, but "they can't go unaccompanied and special exhibitions can require tickets." Chicago Tribune 05/14/09
 
A Good Night At The Auction House (Context Is Everything) "Unlike Sotheby's sale on Tuesday, where bidding was thin and buyers reluctant, Christie's auction of postwar and contemporary art ... was a buoyant hour and a half during which record prices were set for recognized artists like David Hockney." Then again, the evening's total was $93.7 million, down from $348.2 million a year ago. The New York Times 05/14/09
 
Coal Mining Threatens South Africa's Mapungubwe Ruins "South Africa's environment ministry may try block a coal project proposed by a company partly owned by ArcelorMittal because it jeopardizes the United Nations- recognized World Heritage Status of a set of historical ruins." The ruins are "remnants of what was once southern Africa's biggest kingdom.... Artifacts including a gold ornament, known as the Golden Rhinoceros, have been found at the site while the ruins include royal graves and stone walls." Bloomberg 05/14/09

 

May 13, 2009

Renzo Piano's Addition To Art Institute Of Chicago: 'The Effect Is Magical' Nicolai Ouroussoff: "He is not out to start a revolution. His designs are about tranquillity, not conflict. The serenity of his best buildings can almost make you believe that we live in a civilized world. The new $294 million Modern Wing ... is the closest Mr. Piano has come in at least a decade to achieving this near-classical ideal." New York Times 05/14/09
 
- And His Bridge To Millennium Park Is 'Fun With A Capital F' Blair Kamin: "Chicago, get ready for your latest joy ride. A new pedestrian bridge, which links Millennium Park and the Art Institute of Chicago's Modern Wing, is a walk through the treetops, a sidewalk soaring through the sky. Climb the Nichols Bridgeway, as this sloping, 620-foot-long span is called, and you're hovering over Monroe Street, as though you are in a helicopter." Chicago Tribune 05/14/09
 
Meanwhile, Admission To The Art Institute Is Reduced "Following public pressure from the City Council, the Chicago Park District late this afternoon agreed to cut entry fees to the Art Institute of Chicago that were scheduled to take effect May 23. Instead of paying $18, adult art admirers will have to pay $16 - a $2 decrease, according to a park district spokeswoman." Chicago Tribune 05/13/09
 
Calatrava Design For Atlanta Symphony Dumped "Celebrated Spanish architect Santiago Calatrava's dramatic, $300 million vision for Symphony Center will not survive a proposed change of location to the Woodruff [Arts Center] campus." A Woodruff officer said, "to assume you could pick up that design and move it to a different site doesn't make sense." Atlanta Journal-Constitution 05/12/09
 
Kimbell Coup: An Easel Painting By Michelangelo (Maybe) "The image is of St. Anthony being tormented by eight flying demons. The painting is on a wooden panel, 18 inches tall. And some scholars are now convinced that Michelangelo Buonarotti completed it in 1487-88 -- when he was 12 or 13 years old. ... It's rare because it's only one of four easel paintings the artist made, and now the only one in an American museum." KERA (Dallas) 05/13/09
 
NYC's New Public-Building Policy Yields Artful Architecture In the revamped process, "architects compete on the quality of their portfolios and their construction records. Building projects are grouped by cost, from high to low, encouraging smaller and younger firms to apply at the lower end; eligible architects are selected by a panel that reviews and updates the list periodically. Realistic fees are negotiated.... This makes the process more open, more rational, and more fiscally controllable. It also delivers infinitely better buildings." Wall Street Journal 05/13/09
 
After The Boom: Sotheby's Contemporary Tally Down 87% "Actor Owen Wilson, billionaire Eli Broad and former Hollywood agent Michael Ovitz watched the art market take another knock last night as Sotheby's posted its smallest New York contemporary auction since May 2003. The $47 million tally was down 87 percent, or $315 million, from Sotheby's record a year ago...." Bloomberg 05/13/09
 
Prince Charles Omits Fireworks In Speech To Architects "'Abolish the monarchy!' a tiny voice piped up at the end of the Prince of Wales's lecture at the Royal Institute of British Architects in London last night. It was a distinctly solitary protest against Prince Charles's first big speech on architecture for 20 years." The prince -- who even said "sorry" -- was in fence-mending mode, "keen to stress that he was more concerned with 'original, in the true sense' and 'organic' architecture than with recreating past styles." The Guardian (UK) 05/13/09

 

May 12, 2009

The Law Of Supply-And-Demand Comes To The Contemporary Art Market "Something much more subtle than a classic boom-bust cycle is going on. The art world is punishing the overly prolific, those artists who responded (in retrospect, perhaps too hastily) to stiff demand by upping supply." And with demand going soft, auction houses and galleries are tending to avoid younger artists in favor of the tried-and-true. New York Magazine 05/10/09
 
When Fakes (Nefertiti?) Worm Their Way Into Prominence "'Nefertiti' does not look much like any other ancient Egyptian sculpture. On the other hand, it does have an early 1900s feel: somewhere between Art Nouveau and Art Deco, just right for the moment it was first seen publicly, in 1924. ... Do such worries matter? After all, scientific tests support the authenticity of Nefertiti...." Bloomberg 05/12/09
 
The Eiffel Tower's Journey From Loathed To Loved "The tower is so beloved that few today remember the storm of vitriol, mockery and lawsuits provoked by its selection as the startling centerpiece of the 1889 Paris Exposition Universelle. ... Even as Eiffel was breaking ground by the Seine River in February 1887, 47 of France's greatest names decried in a letter to Le Temps the 'odious column of bolted metal.'" Wall Street Journal 05/09/09

 

May 11, 2009

Fire At Zaha Hadid's Guangzhou Opera House For the second time this year, flames and smoke have damaged one of China's high-profile new architectural landmarks. According to a statement from Hadid's firm, no one was injured in the blaze and the structure of the building appears to be intact; it's not yet clear if the opening date this fall will have to be postponed. The Architects' Journal (UK) 05/12/09
 
'The Donald's Top Flops' (As The NY Post Might Say) Blair Kamin: "[T]he just-completed spire atop the 92-story Trump International Hotel & Tower, the tallest American skyscraper since the 1974 completion of Sears Tower ... [is] a one-star piece of skyline stagecraft, a Kmart accessory for an Hermès suit." Chicago Tribune 05/10/09
 
LA County Museum's Fund-An-Art "The concept is simple: after curators argue for their proposed acquisitions, collectors, who have ponied up money to participate in the event, vote on what to buy with the pooled funds. Since it began in 1986 the event has raised a total of $16 million for the purchase of 157 works, now valued by the museum at $75 million." The New York Times 05/10/09
 
The Broken Promise Of 9/11's Ground Zero Designs "But even for those of us who had given up on the idea that anything good would ever emerge from ground zero, the unveiling of an elaborate new model of the revised design on Saturday at the Queen Sofía Spanish Institute was heart wrenching." The New York Times 05/10/09

Is It For Love or Money?

Posted on February 8, 2009 at 3:31 PM by Tracy Frost.

Sunday, 7th February 2009

In World of High-Glamour, Low-Pay Art Market Jobs (New York, New York Times)
Working in the auction houses has always been a particular New York experience, a sorority of client-advisers and appraisers who spend weekends flying to Palm Beach or the Caribbean hoping to land a big account -- and, some of them concede, perhaps a husband -- but whose paychecks put them close to the poverty line.
New York Times - United States

For Love or Money (New York, Artforum)
"IT IS A CONTEST of wit and logic and ideas and facts and argument, and most of all, persuasion." Host John Donvan, introducing Tuesday evening's debate in the Intelligence Squared US series at Rockefeller University, declined to mention another factor sometimes known to tip the balance: charisma. But the semantics of the motion--"the art market is less ethical than the stock market"--were sufficiently fuzzy that personal magnetism certainly seemed as though it might influence the outcome.
Artforum - New York,NY,USA

Obama poster artist Shepard Fairey is arrested on tagging charges (Boston, US, LA Times)


Fairey was arrested Friday night in Boston on his way to the Institute of Contemporary Art to DJ at a sold-out party kicking off his first solo exhibition, "Supply and Demand." Two arrest warrants had been issued Jan. 24 after police determined that he had tagged property in two locations with his street art campaign featuring Andre the Giant and the word "obey," said Boston police officer James Kenneally.
Los Angeles Times - CA,USA

Street artist will get day in court for pasting up his art (Boston, US, Boston Globe)
Shepard Fairey is scheduled to face charges in a Boston courtroom tomorrow for allegedly pasting art without permission on two local sites that police discovered last month - one under the Boston University Bridge and the other above Storrow Drive.
Boston Globe - United States

Shepard Fairey, success (Boston, US, Boston Globe)
Tell you what. I don't know why Shepard Fairey was arrested as he was walking into a giant party at the Institute of Contemporary Art, a party he was expected to star at. I wonder why he wasn't arrested on City Hall when he was standing next to the Mayor. Or at his hotel room. Or over a latte this morning. But in a city that's been less than friendly toward public art and, some would say, to artists themselves, it's interesting to note the timing on the arrest.
Boston Globe - United States

 

Jittery art market calms from successful sales

Posted on February 7, 2009 at 3:37 PM by Tracy Frost.

Saturday, 7th February 2009

 

Plenty of Praise for Revamped Palm Beach Fair (Palm Beach, Miami, Artinfo)
The Lesters' success this year appears to be the result of aggressive promotion and bolstering of confidence among the fair's 80-odd participating dealers, some of whom were convinced to return to the fair after dropping out during the DMG years.  The Lesters arranged for a full-color advertising supplement in last Friday's New York Times, local TV spots, and buses to import collectors from Naples, Florida. They shortened the fair from 11 days to five -- it now runs February 4 to 8.
ARTINFO - New York,NY,USA

 

Paper trail into the artist's inner being (London, Times Online)
On Wednesday, when the Watercolours & Drawings Fair opened in London, its organisers must have been hoping that history would repeat itself. Now in a new venue, the Flower Cellars, Covent Garden -- formerly the Theatre Museum -- the fair is a descendant of a series that began at the Park Lane Hotel in January 1986.

Times Online - UK

 

Art Rotterdam: Everything in Moderation (Rotterdam, The Netherlands, Artinfo)
ROTTERDAM, The Netherlands--"The Dutch are a moderate people. Our economy grew in a moderate way, and it will fall in a moderate way: We are not worried -- so far," said a gallerist from Amsterdam's Willem Baars Art Projects. This rosy (and refreshing) outlook reverberated throughout the 75 booths at Art Rotterdam, which celebrates its 10th edition this year, running February 5 to 8.

ARTINFO - New York,NY,USA

 

A Gallery Goes Out in a Burst of Energy (New York, New York Times)
New York's increasing gallery closings may be cause for distress, especially for artists who suddenly find themselves without dealers. But you might consider these closings not as a loss of energy but as energy transformed, moving from one dimension to another. Cohan & Leslie, a Chelsea gallery that closed last month, implied as much in its farewell e-mail message: a post-election, pre-inauguration photograph of Barack Obama, casually dressed in a gray T-shirt and giving a smile and a wave from the back seat of a sleek automobile.
New York Times - United States

Successful sales calm jittery art market (London, Financial Times)
Predictions of an art market meltdown were confounded in London this week as six sales of impressionist, modern and contemporary art at Christie's and Sotheby's turned in solid results.  The auction houses managed to restore confidence to a jittery market with successful sales by radically shrinking the size of the catalogue and lowering estimates compared with last year. Some distress selling is, however, beginning to filter through.
Financial Times - London,England,UK

Brandeis' Attempt to Turn Art into Assets (Boston, US, TIME)
There's a Stephen Sondheim lyric that says it all: "Art isn't easy." Last week Brandeis University in Waltham, Mass., stunned both the academic and art worlds when it announced that it would shut down its Rose Art Museum and sell the collection. The reason was an institutional budget crisis -- not at the museum, which is largely self-sufficient, but at the university.
TIME - USA

Campaign to Prevent Brandeis Art Sale

Posted on February 6, 2009 at 3:42 PM by Tracy Frost.

Friday, 6th February 2009


Campaign Builds To Stop Brandeis Art Sale (Boston, New York Times)

The museum's board of overseers issued a statement objecting to the closing, saying it would be "a breach of faith" with its founders and with supporters who have "sustained the museum for almost 50 years based on agreements and understandings that the Rose Art Museum would be maintained on the Brandeis campus in perpetuity."

The New York Times


Graffiti Artist Controversy, Boston

Posted on February 5, 2009 at 3:44 PM by Tracy Frost.

Thursday, 5th February 2009


Brandeis President Apologizes For Handling Of Rose Museum Affair (Boston, Boston Globe)

 In retrospect, I wish I had handled the initial statements I made in a far more direct way. Unfortunately, those statements did not accurately reflect the Board's decision authorizing the administration to conduct "an orderly sale or other disposition of works from the university's collection." The statements gave the misleading impression that we were selling the entire collection immediately, which is not true.

Boston Globe 

 

 

Brandeis President: We'll Sell 'Minute Number' Of Artworks (Boston, Boston Globe)

The Globe's Tracy Jan interviewed Brandeis University President Jehuda Reinharz  about the school's financial situation and the possibility of the closing of the Rose Art Museum. Hear excerpts from the interview...

Boston Globe

 

Anti-Shushing Manifesto: Let Kids In Museums Make Noise (London, UK, The Guardian)

Museum attendants should be stopped from 'shushing' children and displays should be hung low enough for youngsters to see properly, according to a manifesto to make museums more family-friendly published today.

The Guardian (UK)

 

Shepard Fairey Is A Pretender, Cartoonist Says (Boston, Boston Globe)

Shepard Fairey is the artist who designed the now ubiquitous Obama HOPE poster, the semi-official iconic image of the candidate. A one-man show of his work opens Feb. 6 (members reception Feb. 4) at the Institute of Contemporary Art.

Boston Globe

 

AP Seeks Credit, Compensation For Obama's 'Hope' Poster (Boston, Boston Globe)
Designed by Shepard Fairey, a Los-Angeles based street artist, the image has led to sales of hundreds of thousands of posters and stickers and has become so much in demand that copies signed by Fairey have been purchased for thousands of dollars on eBay. The AP says it owns the copyright and wants credit and compensation. Fairey disagrees.
Boston Globe (AP)

Mystery Canvas of Obama

Posted on February 4, 2009 at 3:49 PM by Tracy Frost.

Wednesday, 4th February 2009


In L.A., Even Renaissance Paintings Go Into Rehab (Los Angeles, US, LA Times)

After a stint in the Getty Museum's conservation labs, Francisco de Zurbarán's 1633 Still Life with Lemons, Oranges and a Rose "is even more astounding than before: Surface textures emerged from beneath varnish, slight compositional alterations made the display of fruits and vessels more weighty, newly revealed details directed the eye in surprising ways, spatial relations were brought into a new light.

Los Angeles Times

 

Degas Sculpture Breaks Record As Other Lots Go Unsold (London, UK, Bloomberg)

A Degas sculpture last night fetched a record 13.3 million pounds ($19.2 million), while other high- value works were rejected, at the first international auction- house test of the art market in 2009. ... This month's evening auctions of contemporary art at Sotheby's and Christie's International are estimated by the auction houses to fetch at least 31.6 million pounds, which is a decline of 78 percent.

Bloomberg

 

A Young Obama On Canvas, Or Just A Look-Alike? (Los Angeles, US, LA Times)

It is believed that Adams died about 10 years ago, leaving behind works that were sold off by relatives. How and when he might have met Obama remains frustratingly unknown for the oil painting's new owners. Obama aides said they were unable to run down the story of the portrait and added that it was "not likely" that Obama would have time to address it.

Los Angeles Times

 

NYPD Nabs Poster Boy, Unless It Isn't Him (New York, The New York Times, US)

While most other street or graffiti artists concentrate on adding their own imagery, illegally, to parts of the subway system, Poster Boy, a kind of anti-consumerist Zorro with a razor blade, a sense of humor and a talent for collage, has made his outlaw presence known all over the city by cutting and pasting the images that are already there in the form of ads.

The New York Times

 

New York Galleries Closing

Posted on February 3, 2009 at 3:57 PM by Tracy Frost.

Tuesday, 3rd February 2009


Exodus From L.A. MOCA's Board (Los Angeles, LA Times)
L.A.'s Museum of Contemporary Art, which last week eliminated 20% of its paid staff to cut costs, is now faced with finding replacements for some of its highest-profile board members. Nine of the 35 trustees who were on the board last fall before the museum's near-collapse have since resigned.

Los Angeles Times

 

Settlement Reached, MoMA & Guggenheim Keep Picassos (New York, Bloomberg)
New York's Museum of Modern Art and the foundation that runs the Solomon R. Guggenheim Museum can keep two Picassos, after heirs of the paintings' Weimar-era owner settled a suit to repossess them. The settlement was reached yesterday and announced as jury selection was set to begin in the suit that the three heirs filed against the museums.

Bloomberg

 

The Art Just Isn't Moving, So NY Galleries Are Closing (New York, Bloomberg)
Since September, four [Manhattan] galleries have shut their doors: Roebling Hall and Cohan and Leslie in Chelsea; Rivington Arms in the East Village and 31 Grand on the Lower East Side. More established galleries are hurting, too. They're firing staff, dropping out of art fairs and extending their shows for months in an attempt to cut expenses.

Bloomberg

 

MOCA Detroit Gets Its First Full-Time Director (Detroit, US, Detroit Free Press)

Luis Croquer was in his mid-20s and studying anthropology and communications in London when a part-time job changed his life. He worked as an art adviser's assistant, scouting galleries, auction houses and private collections in search of treasure. Croquer, the new director of the Museum of Contemporary Art Detroit, was unwittingly training himself as a curator.
Detroit Free Press

Turners Go To China On Tate Loan (China, BBC)
China is to get its first major exhibition of JMW Turner's work after Tate Britain agreed to lend the country 80 paintings from its collection. The loan, announced by UK Prime Minister Gordon Brown, includes key works The Decline of the Carthaginian Empire and Norham Castle, Sunrise.

BBC

What kind of school Purges their Art?

Posted on February 2, 2009 at 3:59 PM by Tracy Frost.

Monday, 2nd February 2009


'We Were Never Consulted At All,' Rose Director Says (Boston, Boston Globe, US)
The director of the Rose Art Museum at Brandeis University has issued a scathing response to the university's plans to close the museum and sell off its $350 million art collection, saying he feels 'shame and deep regret over the shortsightedness of this decision.' 'I want you to know from me some basic facts,' Michael Rush wrote in a statement posted over the weekend on the museum's website.

Boston Globe

 

Brandeis's Next Problem: Angry Donors, Reluctant To Give (Boston, US, Wall Street Journal)
Few things are more poignant than a gem of a museum whose days may be numbered. So it was at the Rose Art Museum at Brandeis University on a visit Friday, days after the university's trustees voted unanimously to trash the institution by closing it and auctioning off the 6,000 works in its collection. The action came without consulting either the museum's own board of governors or its director, Michael Rush.

Wall Street Journal

 

A University That Purges Art?... Well - Not Much Of A School Then, Is It?

The Brandeis vote was an act of breathtaking stealth and presumption: a raid on a museum that supports itself, raises its own funds and has consistently planned wisely for its own future without leaning on the university. The trustees treated it nonetheless as a disposable asset.

The New York Times

 



International Art Market News Highlights

Posted on February 1, 2009 at 7:53 PM by Tracy Frost.

Sunday, 1st February 2009

His Nonlinear Reality, and Welcome to It (New York, NY Times)
In stunningly short order, even for an art world then still moving at breakneck speed, his work was everywhere: the 2006 Whitney Biennial, the J. Paul Getty Museum in Los Angeles, the Saatchi Gallery in London, the collection of the Guggenheim Museum. And his most ambitious work to date, the movie-length "I-Be Area," which made its debut in 2007 at the Elizabeth Dee Gallery in Chelsea, was greeted with a kind of joyous critical consensus rarely seen in the art world.

Popsicles, Momsicles and kidsicles (Chicago, Chicago Daily Herald, IL, USA)
Among the few people who could browse the vast Bank of America art collection you might find Warren Buffett and Bill Gates - guys who spend more time in banks than you or I. Up until now, that is, when Chicago's National Museum of Mexican Art exhibits Miradas: Mexican Art from the Bank of America Collection. The exceptional exhibition encompasses one of the most extensive corporate collections in the nation and offers paintings, prints and photographs created over the past 80 years from both sides of the US-Mexico border.

Rising Tide: Film and Video Works from the MCA Open ... (San Diego, CA, US, ArtDaily)
On February 22, 2009, the Museum of Contemporary Art San Diego will open Rising Tide: Film and Video Works from the MCA Collection, Sydney at its downtown Jacobs Building location. The exhibition--drawn from the collection of the Museum of Contemporary Art, Sydney--will feature film and video installations by 13 internationally recognized contemporary Australian video artists and collectives.

Saturday, 31st
January 2009

Hard Times Hit Houses Where Art Meets Cash (New York, NY Times)
But there were no auctions or contemporary art to see that day. Employees began whispering that Mr. Pinault was there to discuss an impending sale of Christie's to a private-equity firm. "It's not true," said Edward Dolman, its chief executive, sitting in his New York office one afternoon last week. "Pinault has no intention of selling Christie's." The fervid speculation reflects wide curiosity about how Christie's and its archrival, Sotheby's, are coping now that the years of stratospheric prices and high living are over.

The lure of impressionism for the newly rich (Trends, Global)
The other thing that the story of "La Loge" tells us very clearly is that impressionist paintings are investment vehicles too. Extraordinary accelerations have since been punctuated by one exceptional dip in the 1990s but the underlying tendency of prices is an upward one. It must be, given the finite quantity of impressionist paintings available to the market and their long-established desirability. If there is an art market equivalent of a blue-chip stock, it is a major impressionist painting. History suggests that there will be a reliable return on it over the years. It is a lesson not lost on today's buyers.

The art market: Middle East in the frame (London, Financial Times UK)
Contemporary art from the Middle East is all over London at the moment. Last week Tate held a two-day symposium on the subject, bringing together curators, artists, academics and dealers in the field. The Saatchi Gallery opened its new show on Friday, featuring artists from Lebanon, Iran, Palestine, Iraq and Tunisia, among others [see Jackie Wullschlager's review ]. In parallel, Phillips de Pury, which funds free public entry to the Saatchi Gallery and has a space on the top floor, is showing 21 modern Arab and Iranian paintings.

A Wunderkammer of an Art Fair (Brussels, Belgium, ArtInfo, NY, USA)
Smack in the center of Western Europe and a capital of the EU, Brussels has recently grabbed the art-world spotlight as a burgeoning hub for contemporary work, with heavy-hitting dealers like New York's Barbara Gladstone and Paris's Almine Rech opening branches there last fall. Yet the city has long been a center for historical art and antiques -- in particular tribal objects -- and its 54-year-old Brussels Antiques and Fine Art Fair, which opened January 23 and runs through February 1, and now goes by the snappy acronymic nickname Brafa, is now striving for international appeal.

Saatchi and Middle East contemporary art (London, Financial Times UK)
Even if every show in the next decade at Charles Saatchi's opulent Chelsea gallery bombs, his place in art history will still be assured. As the impresario of the Young British Art movement, Saatchi catapulted young names such as Damien Hirst and Tracey Emin to stardom. Saatchi's love affair with youth is this maverick collector's most endearing, optimistic characteristic. It is also his fatal flaw, for ever since his YBA triumph in the 1990s, he has sought to repeat the phenomenon internationally, failing more or less spectacularly each time.

MOCA trimming staff by 20% (LA, LA Times, CA, USA)
The cash-strapped Museum of Contemporary Art is trimming its staff by 20% and cutting operating costs in an effort to reduce its annual expenses by approximately $4.4 million, the museum announced Friday. The cuts mean the elimination of 32 jobs -- 16 full-time, 16 part-time -- across all departments, out of a staff of about 160. Staffers who have been laid off were notified Friday.

The Artist's Largest Work? (New York, NY Times)
By spring, Mr. Koons, known for his appreciation of American kitsch, from giant puppies made of flowers to stainless-steel rabbits, may be immersed in a new vocabulary, talking mansard roofs, rusticated balustrades and other details of neo-Classical-style French architecture. For two years now and counting, Mr. Koons has been in contract to buy a six-story limestone town house at 11 East 67th Street, owned for about 65 years by an internist who moved to New York from Paris during World War II.

Hangar Ons (Los Angeles, Artforum - New York, USA)
THE ART-FAIR "SNEAK-PEEK" undoubtedly carries a certain attraction--attempts at backstage access are the subject of a whole body of fair lore. But when I was invited to an early view of Art LA's installation last Wednesday--twenty-eight hours prior to the third edition of the fair's opening gala (benefiting MoCA)--my instinct was to delay gratification. If you're not shopping, what's the point?

Friday, 30th January 2009

LA's Museum Of Contemporary Art Lays Off Staff (Los Angeles, US, LA Times Blogs)
The cash-strapped institution announced today that it is reducing its staff by 20% as well as cutting operating expenses. The plan is to reduce expenses by approximately $4.4 million a year.

 

What The Obama Government Might Mean To The Arts (The Art Newspaper)
The opportunity to rethink government's role comes at a time when it is readily acknowledged among arts professionals that cultural support in America is outdated in its assumptions, sclerotic in its methods, biased in its outcomes, and inefficient in its use of philanthropic and taxpayer dollars. It's time to move on. But where?

Moscow Fine Art Fair Canceled (The Art Newspaper)
We believe that the financial and political climate in Russia is such that many potential buyers could have cold feet next May, and hence it is unfair... to hold an event when all indicators tend to say that there will not be much business going on.

 

Thursday, 29th January 2009

Ex-MoCA Director Strick To Lead Nasher Museum (Los Angeles, US, New York Times)
Just a month after Jeremy Strick resigned under pressure as director of the beleaguered MOCA in Los Angeles, he has landed a new job. Starting March 2 he will be director of the Nasher Sculpture Center in Dallas, the institution confirmed. The appointment was in the works well before November, when it first came to light that the Museum of Contemporary Art was on the brink of financial collapse.

New Met Museum Director Thomas Campbell (New York, The Guardian UK)
On any scale, the task of Thomas Campbell as director of New York's Metropolitan Museum is daunting. The Briton is stepping into one of the world's most prestigious curating posts, in charge of a huge encyclopaedic collection, at a time of enormous challenges for modern museums.The numbers are jaw dropping. The Met owns more than 2m objects; some are 5,000 years old, including the largest collection of Egyptian antiquities outside Egypt, and the biggest of Asian art outside Asia.

The Goya/Not-Goya Colossos: Does It Matter Who Painted It? (Bloomberg)
Does it really matter who painted a picture? Once, so the story goes, a collector showed the artist Walter Sickert his private gallery, which consisted, or so the proud owner thought, entirely of Sickerts. Unfortunately, they were fakes, a fact that Sickert broke as gently as he could. "None of these is my work," he remarked, "but none the worse for that." In a sense, he was right. The arrangement of pigments on canvas remained exactly the same, whoever had put them there. The fact that it didn't happen to have been Sickert changed nothing.

Koolhaas Firm To Design Arts Center In Taipei (ArtInfo)
The Office for Metropolitan Architecture design encompasses three theaters - two that seat 800 and one that holds 1,500 - all of which feed into a central cube clad in corrugated glass that unites their stage accommodations so that the theaters can be used separately or in combination."

How Badly Were Foundations Hurt By Bernie Madoff? (New York Times)
Many non-profit organizations invested with Mr. Madoff and will suffer a double-whammy, losing not only their own savings but also the support of foundations that previously donated regularly but are now broke. And they will also lose some of their individual donors who were invested with Mr. Madoff as well. This is the first time this information has been compiled and made public.

 

Brandeis Might Not Sell Art, But Museum Will Close (Boston, US, Boston Globe)

Jehuda Reinharz, Brandeis University president, yesterday opened the possibility that the university would not sell its $350 million art collection but said he would not change his mind about closing Rose Art Museum and turning it into a study and research center." Brandeis's provost "said university officials believed they could not operate a museum, which is expected to abide by a code of ethics limiting the reasons it can sell off art, and then sell art to pay for needs other than the museum.

 

Wednesday, 28th January 2009

 

Just How Bad Brandeis' Financial Situation Is (Boston, US, The Daily Beast)
Even the museum's director went on attack, saying the Rose, which according to the university's own website "houses what is widely recognized as the finest collection of modern and contemporary art in New England," not only pays its own way but contributes to the university's funds. The collection, largely donated over the years, includes seminal works by Willem de Kooning, Jasper Johns, Roy Lichtenstein, Morris Louis, Matthew Barney, Cindy Sherman, and Richard Serra, among others.

 

Rose Supporters Seek To Block Brandeis, Save Museum (Boston, US, Boston Globe)
Donors and long-time supporters of the Rose Art Museum are exploring whether they can block Brandeis University's stunning decision to close the museum and sell an art collection that had been valued at $350 million. Jonathan Lee, chairman of the museum's board of overseers, said yesterday that he intends to meet with officials in the state attorney general's Public Charity Division to see if there is anything he can do to stop the university from shutting down the 48-year-old museum at the end of the summer.

 

Manslaughter By Inflatable Art, Prosecutor Charges (Durham, UK, The Guardian)
Two people died when a walk-through inflatable artwork broke free from its moorings because of the creator's gross negligence, a court heard today. Maurice Agis, 77, designed the multi-coloured Dreamspace structure and was taking it on a UK tour when disaster struck in July 2006 in Chester-le-Street, County Durham.

 

Cashing In On Rose Collection Is Wrong (And Poorly Timed) (Boston, US, Boston Globe)
The decision to close the Rose Art Museum at Brandeis University and sell off its extraordinary collection smacks of panic. Panic, as everyone knows, is sometimes an appropriate response to reality. But usually it's not, and, either way, it's rarely edifying to watch." Far from expendable, the museum "is the best place to go in the Boston area to see modern and contemporary art of the highest caliber.

 


Tuesday, 27th January 2009

At Brandeis, A Nightmare Scenario For University Museums (Inside Higher Ed)
The decision to shut the museum runs directly counter to the ethics codes of art and museum associations, which permit the sale of art donated for a museum only for the purchase of additional art, not to be shifted to other purposes. "This puts all of our roles at our institutions in jeopardy," said David A. Robertson, president of the Association of College and University Museums and Galleries and director of Northwestern University's art museum.

Goya's Colossus Is Actually His Assistant's, Prado Says (The Guardian - UK)
The giant, fierce figure of The Colossus as he rises above a fleeing crowd of people, carts and animals is one of Spanish artist Francisco de Goya's most dramatic and famous pictures - at least it was until yesterday, when Madrid's Prado museum declared he had not painted it. ... Experts at the museum now believe The Colossus was painted by one of Goya's assistants, whose initials may appear in a corner of the canvass.

Vagabond Latin American Art Collection To Find A Home (Los Angeles Times)
The fate of the Cisneros collection of Latin American art, considered among the best ever assembled, is a question that has long preoccupied art lovers in Venezuela and throughout the world. For the last decade, the collection owned by Patricia Phelps de Cisneros, wife of a Venezuelan media magnate, has been an itinerant one, lent out in tranches to dozens of museums in North and South America.


Ministry Of Silly Walks: Artists Get Animals' Legs Wrong
(The New York Times)
The way four-legged animals walk has been well known since the 1880s, when Eadweard Muybridge's motion-capture photographs revealed the sequence of leg movements." Many artists, evidently, have not been taking note. "After analyzing more than 300 depictions of walking animals in museums, veterinary books and toy models, the researchers report that in almost half of them the leg positions are wrong.

Despite California Museums' Problems (California, The Architect's Newspaper)
California museums are reeling from drastically reduced endowments: The Getty Trust in December told The Art Newspaper that its endowment has lost 25 percent since last June. Meanwhile, the Museum of Contemporary Art (MOCA) in Los Angeles was just delivered perhaps the most public blow of all: donor default. Exacerbated economic woes resulted in a massive drop in donations, forcing the museum to dip into its emergency savings.

 

Budget Cuts At Smithsonian As New Secretary Installed (Washington, Washington Post)
The newly installed secretary of the Smithsonian Institution announced yesterday that he has implemented a hiring freeze and eliminated salary increases and bonuses for one class of its highest-paid employees. G. Wayne Clough has also asked several departments to reduce their current-year budgets by 5 percent to 8 percent.

A Great Time For Museums? Yes, Says The Guy In Charge. (New York, Wall Street Journal)
Fresh from meeting with the architects for the Clark's expansion, he argued during a long conversation at New York's Harvard Club that this financially perilous period is "a great time for art museums." They are, he said, "bellwethers for people at moments like this. We saw this happen after 9/11. If we are doing our jobs well, we're the places that people can turn to in times of instability. The reality is that the Metropolitan Museum, the Minneapolis Institute of Arts and the Phoenix Art Museum are not going away.


Monday, 26 January 2009

A Strapped Brandeis To Close Art Museum, Sell Collection (Boston, US, Boston Globe)
Rocked by a budget crisis, Brandeis University will close its Rose Art Museum and sell off a 6,000-object collection that includes work by such contemporary masters as Roy Lichtenstein, Andy Warhol, and Nam June Paik. The move shocked local arts leaders and drew harsh criticism from the Association of College and University Museums and Galleries. Rose Art Museum director Michael Rush declined comment this evening, saying he had just learned of the decision

 

Nigella's Better Half Seeks Next 'Sensation' On Small Screen (London, BBC)
A new X Factor style television talent show will attempt to discover the next British art sensation. The BBC Two show, presented by advertising boss and art collector Charles Saatchi, is open to all aspiring artists. Finalists will be tutored by leading contemporary artists before exhibiting their work in St Petersburg, Russia."

 

Guernica Tapestry, Long At UN, Will Visit Whitechapel  (London, Art Newspaper)

"A tapestry of Picasso's Guernica, which was at the centre of a row just before the invasion of Iraq, is to go on display at the Whitechapel Art Gallery on 5 April. It currently hangs at United Nations headquarters in New York, just outside the Security Council chamber.

 

Child's Play (That Sells) (Australia, The Guardian - UK)
The gallery owner
had accepted the work as worth hanging, so there was nothing for it but to go ahead, and headline the paintings as by the youngest artist ever to show work in a commercial gallery. The strategy paid off. Seven of the 15 works, priced between $300 and 10 times that, were sold before the show opened. Newspapers ran pictures of the toddler at work, with paint in her hair, her eyebrows and all over her clothes.

 

 

 

 



 

 

 

 

Art market given a boost

Posted on January 25, 2009 at 10:52 AM by Tracy Frost.

Sunday, January 25, 2009

 

The Institute of Contemporary Art Announces Andrew Witkin as the ... (Boston, MA, US)
Boston
artist Andrew Witkin is the winner of the 2008 James and Audrey Foster Prize, the Institute of Contemporary Art announced. This biennial award recognizing a Boston-area artist of exceptional promise includes a $25,000 prize and an opportunity for the finalists to present their work in an exhibition at the ICA.
Art Daily - Eastport,Maine,USA

 

Outlaws at the Art Museum (and Not for a Heist) (New York)
In 2005, the British artist Banksy -- then on the verge of becoming probably the world's most famous street artist -- walked into the Museum of Modern Art and three other New York museums done up in a beige raincoat and fake beard, looking more like a subway flasher than a "quality vandal," as he called himself.
New York Times - United States

Happening today (Los Angeles, CA, US)
Art LA 2009 Santa Monica's Barker Hangar is the hub of contemporary art, with 60 international and Los Angeles-based galleries showing and selling their progressive pieces. Barker Hangar, 3021 Airport Ave., Santa Monica. 11 a.m.-7 p.m. today, 11 a.m.-6 p.m. Sun. $15 per day, $25 for a three-day pass. (800) 952-7646; www.artfairsinc.com/artla.
Los Angeles Times - CA,USA

Medieval works of art set to find new favour (Trends)
A feature of past recessions has been a retreat from the contemporary to traditional markets, where good purchases hold value, and there are indications of this now. This trend, if it develops, might counteract the resistance that many British collectors seem to show to medieval works of art, especially from Northern Europe.
Times Online - UK


Rooms with a view: £125m art collection tours UK (United Kingdom)
Ambitious plans to get contemporary art to all corners of the UK were unveiled yesterday with a scheme that would see the films of Bill Viola going to Stromness, the flowers and nudes of Robert Mapplethorpe travelling to Sheffield and the radicalism of Joseph Beuys spending the summer at Bexhill on Sea.The works are part of art dealer Anthony d'Offay's collection that was sold to the nation for £28m - as opposed to the £125m it was probably worth - last year.
guardian.co.uk - UK

Pushing film's frontiers to Venice (Canada)
Mark Lewis, who will represent Canada at the Venice Biennale, is inspired by "modest modernism".
Austerity and modesty are buzzwords already circulating to describe the prospects of this year's Venice Biennale as the art market hunkers down in recession mode. This hardly makes the 53rd International Art Exhibition, from June 7 to Nov. 22, seem particularly tourist-friendly, even if a record-setting 300,000 visitors were on hand two years back.
Toronto Star - Ontario, Canada

The Princeton Packet > News > PRINCETON: Princeton University ... (US)
James Steward, a skilled arts administrator and a specialist in 18th- and 19th-century European art and culture, has been selected as director of the Princeton University Art Museum. Mr. Steward, director of the Museum of Art and a faculty member at the University of Michigan since 1998, will begin his work at Princeton in late April. "James Steward is a distinguished scholar, a gifted manager and a proven leader in the museum world," said Princeton Provost Christopher Eisgruber, to whom he will report.
Central Jersey


The New South Ferry Terminal: See It Split, See It Change (Manhattan, New York)
Sometime by the end of the month the public will get its first view of
See It Split, See It Change. A 250 foot-long curved wall of fused glass panels and mosaics by Doug and Mike Starn, it snakes along the new South Ferry subway station. It's a stunner, and an unusually engaging piece for a city that already takes public art seriously. At first See It Split, See It Change seems simply bold and graphic, a striking backdrop for your dash to the 1 train.
Cool Hunting - New York,NY,USA

Museum directors from across the country are coming to San Diego ... (San Diego, US)
Bad economic times can be the stuff of a good meeting for America's museum directors. "It can be a lonely job," says Derrick Cartwright, the director of the San Diego Museum of Art. "And being among other directors can provide professional and emotional support." In an economic crisis, this kind of support can be even more welcome. And Cartwright is not alone in this reasoning, while considering the importance of the semi-annual get-together of the Association of Art Museum Directors (AAMD) - coming to San Diego for the first time in 10 years.
San Diego Union Tribune - San Diego,CA,USA


Seen for the very first time: Faltering art market given a boost (London, UK)
For 90 years this exquisite and rare work by the Italian artist Amedeo Modigliani has graced the home of one wealthy family. The image of two young girls was painted in the south of France in 1918 as the artist avoided the ravages of the end of the First World War. Now, for the first time, it is to go under the hammer. Purchased from the artist by the collector Jonas Netter, who helped to established Modigliani's reputation, the work - one of only five double portraits the artist created - has been the heirloom of a single family for nearly a century.
Independent - London,England,UK

Banking on Art

Posted on January 24, 2009 at 2:31 PM by Tracy Frost.

Saturday, January 24, 2009


Beleaguered Bank Still in the Art Business (Hong Kong, China)
Started in April 2005, Fortis Art Bank allows reputable galleries in Asia to display artworks in the private bank's offices in Hong Kong and Singapore. The paintings, sculptures, and installations provide décor for meeting rooms and, perhaps more important, go on view before the bank's wealthy clients. Exhibits change every quarter
ARTINFO - New York,NY,USA

Pieces that put wind in their sales (Art Market)
When the "biggest art deal of all time" went through last year, it seemed an astonishing coup. The heirs of the legendary art dealer Ileana Sonnabend, who died in 2007, sold some of her art collection privately for $600m. The deal was reported to have involved New York's mega-gallerist Gagosian, who brokered the $200m sale of about 10 Warhol paintings, including two of Elizabeth Taylor.
Financial Times - London,England,UK


HMO pioneer, FHP founder Robert Gumbiner dies (Obituary, US)
Gumbiner also was an avid collector of Latin American art. Using the millions he made from FHP, Gumbiner and a foundation bearing his name created the Museum of Latin American Art in Long Beach. Opened in 1996, it now houses about 1,000 pieces from 20 countries. Gumbiner also founded the Ethnic Art Institute of Micronesia in 1994 on the island of Yap to preserve and revitalize traditional arts.
San Francisco Chronicle - CA, USA


Lorenzo Rudolf Leaves ShContemporary; Colin Chinnery Steps In
(Princeton, US)
James Steward will succeed Susan Taylor as director of the Princeton University Art Museum. A specialist in 18th- and 19th-century European art and culture, Steward was the director of the University of Michigan Museum of Art (UMMA) and a faculty member at the university since 1998. At UMMA, Steward organized and oversaw the planning, fund-raising, and construction of a $42 million expansion and restoration project.
ARTINFO - New York,NY,USA

Museum will turn into hot night spot for Art After Dark
(Trends)
Opening museum doors for after-hours events is a trend that is gaining momentum across the country. The Guggenheim in New York hosts First Friday events with gallery tours, drinks and music. The Museum of Contemporary Art San Diego's Thursday Night Thing, on the first Thursday of each month, features artist talks, live music and poetry readings.  "It transforms the museum into something fun and playful," Susalla said.
San Diego Union Tribune - San Diego,CA,USA


Art and Culture in Jordan and Dubai (California, US)
The Oakland Museum of California's Art Guild, in partnership with the tourism company Distant Horizons, is offering a new art-themed trip to Jordan and Dubai from March 10 to 22.
New York Times - United States

Cultural Politics and Contemporary Art at The Ackland Art Museum (Chapel Hill, NC, US)
Assistant professor of Art History Cary Levine gives his students all the credit for the special collection installation Cultural Politics and Contemporary Art. "It's really their show," he says, and he isn't just being modest. The fourteen students in his fall class "Cultural Politics and Contemporary Art" selected every image included in the exhibition, laid out the installation, and wrote the accompanying catalogue.
Art Daily - Eastport,Maine,USA


Contemporary Art Museum St. Louis Presents Gedi Sibony: My Arms ... (St. Louis, MO, US)
The Contemporary Art Museum St. Louis presents the first monographic museum exhibition with New York-based artist Gedi Sibony: My Arms Are Tied Behind My Other Arms. Along with a selection of the artist's recent pieces, including the carefully balanced Partly Me Manners (2008) and the multipart Probably Eight or Half of Each (2007), the exhibition features major new works in a site-specific installation for the Contemporary's Main Galleries.
Art Daily - Eastport,Maine,USA


An introduction to MUAC, Mexico's new modern art museum
(Mexico City)
A modern monstrosity out of place amid a dated aesthetic, or a much-needed injection of fresh, voguish design? Whichever side you come down on, Mexico City's brand new temple to modern art is well worth a visit.
 The Museo Universitario de Arte Contemporaneo (University Museum of Contemporary Art), also known by its initials MUAC, opened its misted-glass doors to the Mexican public at the end of November 2008.
Los Angeles Times - CA,USA


£125M National Art Collection to Tour the UK (London, UK)
British art dealer and philanthropist Anthony D'Offay, along with the Tate Modern, has announced a traveling exhibition of nearly all of the 725-piece contemporary collection that D'Offay donated to the Tate and National Galleries of Scotland last year, the Independent reports. D'Offay, who was lauded by Prime Minister Gordon Brown for his gift, donated the £125 million ($170.8 million) collection with the solitary condition that it be displayed to the public.
ARTINFO - New York,NY,USA


Accused art dealer cancels exhibition (Sydney, Australia)
His website claims he specialises in works by the likes of Tom Roberts, Sidney Nolan, Arthur Boyd, Norman Lindsay and D'Arcy W Doyle. In recent months, several members of the public have made complaints about the dealership, claiming they never received payment for the sale of their investments.
Sydney Morning Herald - Sydney,New South Wales,Australia

Broad Museum Picks Design Finalists

Posted on January 23, 2009 at 2:35 PM by Tracy Frost.

January 23, 2009

More American Museum Cutbacks: A Roundup (New York, US)
As reported last month (The Art Newspaper, January 2008), a number of museums have announced that they are cutting back on operating costs in the face of a continuing global recession. On New Year's Eve, the Austin Museum of Art shelved plans to build a new $23m branch in downtown Austin after Houston-based developer Hines Interests withdrew its plans to purchase land from the museum.

The Art Newspaper


Design Finalists Picked For New Broad Collection Museum (Beverley Hills, LA, US)
Last month AN reported on philanthropist Eli Broad's new plan for a museum in Beverly Hills, on the western edge of Wilshire and Santa Monica Boulevards. If approved, the five-story building would contain 118,500 square feet of office space on four levels and 68,000 square feet of museum gallery space, archives, and street-level retail. Now AN has learned from a source that the shortlist for an invited competition to design the museum includes Thom Mayne, Jean Nouvel, Shigeru Ban, Rafael Viñoly, and Christian de Portzamparc.
The Architect's Newspaper

  

 

Star- Studded UK Contemporary Art Tour

Posted on January 22, 2009 at 2:39 PM by Tracy Frost.

January 22, 2009


Star-Studded £125M Contemporary Art Collection To Make UK-Wide Tour (London, UK)
The travelling exhibition, announced at Tate Modern yesterday, will include many of the 725 cutting-edge artworks given by... Anthony D'Offay to Tate and National Galleries of Scotland last year, on proviso that [they]... be displayed across the nation rather than hidden away in the vaults... and occasionally wheeled out for an urbane London audience.
The Independent (UK)

 

In Lawsuit, Artist Richard Prince Accused Of Lifting Images (New York)
French photographer Patrick Cariou has launched a lawsuit against Richard Prince, claiming that the artist improperly lifted images from Cariou's photographic survey of Rastafarian culture for a recent series of paintings. The suit, filed in New York, also names as defendants Larry Gagosian, Prince's dealer who displayed the series in a recent show titled 'Canal Zone', and publishing house Rizzoli, which co-produced the catalogue.
The Art Newspaper

 

 

Cheap, Imported Pictures Threaten Paris Street Painters (Paris, France)
Street painters are part of the romantic lure of Montmartre. ... Today, some 300 officially licensed artists work here. Almost all of their customers are tourists. They may not produce great art but they are skilled painters. And now they say their livelihoods are at risk because many of the souvenir shops in the area are selling cheap, mass-produced paintings from China and Eastern Europe.
BBC

 

Portrait Of Firth As Mr. Darcy Fetches £12,000 At Auction (London)
A portrait of actor Colin Firth as Mr Darcy has fetched £12,000 at Bonhams in London, double its estimated price. The oil painting, a prop from the 1995 BBC adaptation of Pride and Prejudice, received a number of advance bids. The painting was accompanied by a signed letter from Firth, in which the 48-year-old star claimed Mr Darcy 'has weathered better than most of us'.
BBC

 

When Art Doesn't Age Well, Does The Artist Owe The Buyer? (Issues)
Art is long and life is short, according to the old Roman saying, but sometimes art doesn't hold up its end of the bargain. The canvas warps, the metal bends, the paper turns brown.... [I]t's not fully clear what responsibility artists bear to their completed work, especially after it has been sold.
Wall Street Journal

 

At The Scene Of The Crime: The Bergen-Belsen Memorial (Berlin, Germany)
Nothing about [the new Bergen-Belsen Memorial] dramatizes information for visitors the way, say, the United States Holocaust Memorial Museum in Washington apparently feels it needs to. Divorced as it is from the sites of persecution, it turns relics of genocide like a Zyklon B canister and a cattle car that transported Jews to Auschwitz into props. Bergen-Belsen has the camp as evidence, or what's left of it.
The New York Times

 

It's Time America Rethinks Its Approach To Infrastructure (United States)
So much is made of the nation's neglect of infrastructure, yet the U.S. actually is spending record sums on it. We don't make progress because the nation fails to lay out new communities so they can be efficiently served by means other than the auto. A start would be to group people-intensive colleges and commercial centers as hubs along corridors served by transit and walkable streets.
Bloomberg


A Treasure Trove at London Museum

Posted on January 21, 2009 at 2:41 PM by Tracy Frost.

January 21, 2009

 

A Treasure Trove Of Ancient Egyptian Painting (London, UK)

 

 

It is only January, but I don't expect to see an exhibition in the next 12 months more moving than what is on view in the British Museum's new gallery of ancient Egyptian art. Beautifully designed, lit and labelled, it is devoted to one of the best-loved works of art in the British Museum - the wall paintings from the tomb-chapel of Nebamun, an obscure accountant attached to the Temple of Amun in Thebes who died around 1350 BC.

The Daily Telegraph (UK)

 

Making Tropical Landscaping Into An Art (Brazil)
Brazil teems with jungles, forests and all sorts of exotic plants, flowers and trees. But until the Brazilian landscape architect Roberto Burle Marx came along to tame and shape his country's exuberant flora, his countrymen had mostly disdained the natural riches that, often literally, flourished in their own backyards.
New York Times


Art Market Recovery Forecast

Posted on January 20, 2009 at 2:46 PM by Tracy Frost.

January 20, 2009


Something Useful To Do With Those Publishers' Clearing House Thingies (Austan, TX, US)

 

When junk mail arrives in the mail, most either throw it in their recycle bin or toss it in the garbage, but one woman sees it as art. "I was a bit bothered by the amount of paper that came into my home," said artist Annette Lawrence. Instead of tossing it in the recycle bin, Lawrence decided to save every piece of it. "It is a year's worth of junk mail torn into two inch wide strips and stacked and bound," said Lawrence. "It is intended to show how much junk mail comes into a one-person household in one year."
Austin News

 

Cerny's EU Sculpture, Now With Toilet Discreetly Veiled (United Nations)
A depiction of Bulgaria as a toilet in an artwork at the European Union headquarters in Brussels was covered up following a complaint by the government in Sofia. The section of the 'Entropa' avant-garde installation showing Bulgaria as a Roman or 'Turkish' toilet was draped with a black cloth last night, said Jan Vytopil, a spokesman for the Czech presidency of the EU."
Bloomberg

 

How A Symbol Of Freed Slaves Didn't End Up On DC Statue (Washington, US)
When Barack Obama takes the oath of office as president of the United States, Thomas Crawford's 'Statue of Freedom' will preside over the event from its exalted perch atop the Capitol dome. Metaphorically, at least, the nation's first African American president will complete something the statue's artist originally planned to evoke.
Los Angeles Times

 

The Getty Grows Up (Los Angeles, US)
That was the state of affairs at the world's richest museum some six years after its namesake died in June 1976, leaving $1.2 billion (about $2.7 billion in today's dollars) to "a museum, library and gallery of art for the diffusion of artistic and general knowledge." The bounty came as a surprise. Getty had implied that the Malibu museum he'd opened in 1954, modeled on a first-century Roman villa, would inherit little.
Wall Street Journal

 

Survey: Contemporary Art Market Recovery 3-5+ Years Away (Art Market)
Confidence levels in the contemporary-art market have fallen 81 percent since May 2008 and may take between three and five years to recover, according to a survey by research company ArtTactic Ltd. ArtTactic's Western Art Market Confidence Indicator dropped to 10.5 from 56, the lowest level reached since the survey was first conducted in May 2005....
Bloomberg

 

American Owns Posters Taken By Nazis, Court Rules (Germany)
A German court today declared a retired U.S. airline pilot to be the rightful owner of his father's poster collection, which was seized by the Gestapo in 1938 and is currently housed in a Berlin museum." This decision contradicts an earlier judgment.
Bloomberg

 

 

Help Wanted: Money Manager For A Louvre Endowment (Paris, France)
Eighteen banks, including UBS AG and JPMorgan Chase & Co., are competing for money-management business from an elderly, refined first-time client -- the Louvre. The Paris museum, which opened to the public in 1793, says it is starting a U.S.-style endowment next month with the 175 million euros ($230 million) it received to set up an Abu Dhabi offshoot.
Bloomberg

2009 Art Market Prediction

Posted on January 19, 2009 at 3:26 PM by Tracy Frost.

January 19, 2009

Posters Seized By Nazis Are Target Of American's Suit (Berlin, Germany)
When Peter Sachs was only a year old in 1938, the Nazis seized his father's collection of 12,500 rare posters on the orders of Propaganda Minister Joseph Goebbels. ... Today, some 4,000 of the posters, worth at least euro4.5 million ($5.9 million), are in the possession of the German Historical Museum in Berlin, largely in storage. Peter Sachs goes to court Tuesday to try to get them back.
Associated Press

 

Putin Painting Fetches $1.14M (At Least It Was For Charity) (St. Petersberg, Russia)

Vladimir Putin's first painting fetched 37 million rubles ($1.14 million) at a charity auction in his native St. Petersburg last night. The Russian prime minister's picture of a frosty window made the highest price of 30 works on offer.

Bloomberg

 

Indian Artists Opens Show, Discovers Most Works In It Are Fakes (India)
India's art world is reeling from one of its most embarrassing forgery cases today after S.H. Raza, one of the country's foremost artists, inaugurated an exhibition of his paintings in Delhi - only to discover that most were fakes.
The Times (UK)

 

 

What Will The Art Market Do In 2009? (Global)

Supply presents an ambiguous picture. On the one hand, vendors are holding back from selling, for fear of "burning" their pictures by seeing them unsold; the auction houses are struggling to bring in good material for next month's sales. On the other hand, forced sales by cash-strapped collectors may bring desirable works onto the market. Dealers claim that it is a great time to buy, and a number were acquiring inventory at Art Basel Miami Beach last month.

The Art Newspaper

 

Downturn Having Big Effect On Australia's Aboriginal Artists (Australia)
The past, high-growth decade proved a golden time for the sale and promotion of indigenous culture. Today, though, in the face of the looming international downturn, an ominous calm has descended.
The Australian


 

Hugely popular painter Andrew Wyeth dies at 91

Posted on January 18, 2009 at 4:24 PM by Tracy Frost.

Sunday, 18th January 2009

Jasper Johns: Light Bulb Opens at Museum of Contemporary Art in ... (San Diego, US)
On view January 18 through May 10, 2009. A traveling exhibition organized by the Museum of Contemporary Art San Diego, Jasper Johns: Light Bulb focuses on Johns's first sculpture, Light Bulb I (1958), a recent gift to MCASD. The exhibition will bring together for the first time Johns' light bulb sculptures and related drawings and prints, including several drawings and modified prints from the artist's collection that have never before been exhibited.
Art Daily

Hugely popular painter Andrew Wyeth dies at 91 (Chadds Ford, Philadelphia, US)
Wyeth's watercolor and tempera landscapes and portraits made him one of America's best loved artists. He remained a figurative painter who prospered even in times when the genre was deemed passe. Andrew Wyeth, whose realistic yet often melancholy paintings of rural Pennsylvania and Maine made him one of America's most popular living artists, and whose 1948 landscape "Christina's World" was one of the 20th century's most famous artworks, died Friday. He was 91.
Los Angeles Times

For Wyeth, Both Praise and Doubt (Chadds Ford, Philadelphia, US)
Many in the art world rushed to praise Wyeth, who died on Friday at 91, as one of the most significant American artists of the 20th century. But as ever, plenty of others lumped him with Norman Rockwell as a mere illustrator, and dismissed his most famous painting, "Christina's World," as a "mandatory dorm room poster." Kathleen A. Foster, the senior curator of American art and director of the Center for American Art at the Philadelphia Museum of Art, said, "There is no question that there has been a polarization of opinion" about Wyeth and his work.
New York Times - United States

The art market: A tent, a rollercoaster and a merry-go-round (Global)
The fashion-art overlap that was such a feature of the contemporary art boom has come to a screeching halt, at least chez Chanel, the French fashion house. The firm sank a vast sum (millions of euros, said the French press; "no comment" said Chanel) into Mobile Art, a huge Zaha Hadid-designed futuristic bubble-tent to show artworks inspired by the Chanel quilted bag. Among the creators were Yoko Ono, the Russian Blue Noses, Korean Lee Bul, Indian Subodh Gupta and Japanese Nobuyoshi Araki.
Financial Times - London,England,UK

LACMA Presents First US Exhibition of Contemporary Korean Art in ... (Los Angeles, US)
Your Bright Future: 12 Contemporary Artists from Korea features a generation of artists who have emerged since the mid-1980s--some well-known and others on the brink of such recognition--all of whom work on the cutting-edge of international art trends and within a distinctly Korean context: Bahc Yiso, Choi Jeong-Hwa, Gimhongsok, Jeon Joonho, Kim Beom, Kimsooja, Koo Jeong-A, Minouk Lim, Jooyeon Park, Do Ho Suh, Haegue Yang and the collaborative, Young-Hae Chang Heavy Industries (family names are in bold). 
Art Daily

Art Market Gossip

Posted on January 17, 2009 at 4:28 PM by Tracy Frost.

Saturday, 17th January 2009

ARTNET GOSSIP (Global)
Art market doldrums: Almost 25 galleries have pulled out of ARCO, a birdie says, and other upcoming art shows are sending out plenty of "wait list" letters, so they'll be sure to have enough applicants to fill any suddenly vacant spots. Spain's big art fair kicks off Feb. 11-16, 2009. . . "Sales" were okay at Art Basel Miami Beach and other fairs in December, but collecting the money is turning out to be harder than usual. "Sales are one thing," said one dealer, wryly. "Getting paid is another."
Artnet - New York,NY,USA

High returns for high art are swept away (London, UK)
This is not economising as most people would recognise it. Once-in-a-generation works can still expect to command spectacular prices. Sotheby's have a Degas bronze of a ballet dancer estimated at £9million to £12 million, Christie's a Monet at £15million. Jussi Pylkkanen, Christie's European president, said: "The art market has never been directly comparable to the global economy. Many of our clients who buy major pictures live in a slightly different world and while some have been affected by the downturn others haven't."
Times Online - UK

Weighing Andrew Wyeth (New York, US)
Most people -- critics included -- look at paintings and see reputations. Andrew Wyeth disappeared behind his reputation many years ago, and since then it has been all but impossible to sweep away the haze of words that hides his paintings from view. Pay a visit to New York's Museum of Modern Art and look at "Christina's World," his best-known canvas, and what do you see?
Wall Street Journal - USA

Friday, 16th January 2009

Cerny Promises To Return Govt. Money For Sculpture (European Union)
David Cerny vowed yesterday to hand back all the public money he received for his EU sculpture although he was vague about the bulk £350,000 purse he was attempting to raise from private donors. Mr Cerny, 41, apologised for hoodwinking his government and said that he would not take the 50,000 Euros which the Czech Government agreed to pay to rent the sculpture for six months.
The Times (UK)

Czechs To Bulgarians: Really Sorry About That Toilet Thing (European Union)
The Czech EU presidency has apologised for an art installation it commissioned that lampoons national stereotypes. Czech Deputy Prime Minister Alexandr Vondra apologised directly to Bulgaria, which has formally complained over its depiction as a toilet in the art work. He said the image, at the European Council building in Brussels, would be removed if Sofia insisted.

BBC

 

Reactions To Cerny's Joke More Entertaining Than The Art (European Union)
Whether 'Entropa,' Czech artist David Cerny's hoax representation of the 27 European states, was a good work of art, it certainly was a good joke. It also caused a certain amount of embarrassment to Czech Deputy Prime Minister Alexandr Vondra when it was switched on.

Bloomberg

 

 

Uh, Czechs? Maybe Cerny Wasn't The Artist For The Job. (European Union)
The poor Czechs. Their turn at leading the EU already had provoked deep skepticism, and Cerny's 9-ton diss -- hanging at the entrance to the European Council building in Brussels -- doesn't help. But what did they expect?

Los Angeles Times

 

Kimbell Museum Names A Director: Cincinnati's Eric Lee (Fort Worth, US)
Eric Lee, who distinguished himself for two years as director of the Taft Museum of Art in Cincinnati, is the new director of the Kimbell Art Museum in Fort Worth. Kay Fortson, president of the Kimbell Art Foundation, said the board voted unanimously to pick Lee, 42, after spending 18 months interviewing 'many, many, many candidates from all over the world.'
Dallas Morning News

Could Vladimir Putin be an Art Prodigy?

Posted on January 15, 2009 at 4:33 PM by Tracy Frost.

Thursday, 15th January 2009

Dealer Arrested Over Alleged Smuggling Of Egyptian Artifacts (Bulgaria)
A wanted Lebanese antiquities dealer has been arrested in Bulgaria over accusations he stole ancient Egyptian artifacts and slipped them out of the country in recent years, Egypt's Culture Ministry said on Thursday.

Reuters

 

 

Vladimir Putin, Art Prodigy (Russia)
Vladimir Putin, Russia's macho prime minister, has given his people a glimpse of his sensitive side by painting a delicate water colour. Keen to burnish his legend of virility, Russia's political mandarins have released images of Mr Putin pursuing a range of manly interests. He has been shown as a consummate horseman, a bare-chested hunter and fisherman (acquiring gay icon status in the process), a skillful skier and, when pictured at the helm of a fighter jet, a noble warrior leader.

The Daily Telegraph (UK)

 

An Art Critic Appraises Putin's Work (Russia)
Notice the confidence with which those curtains are drawn - how with each long stroke Putin never loses contact with the canvas until his loaded brush is dry. There isn't a wasted or unnecessary brushstroke and nothing childish or naïve about this picture.

Putin gives us all the information we need but nothing more.

The Daily Telegraph (UK)

 

 

Architecture Revival in Coventry (Coventry, UK)
Nearly 70 years on, resurrection is still on the agenda here. This time it's called urban regeneration, in a metropolis where postwar experiments in city planning produced Britain's first shopping precinct, and the infamously hazardous switchback ride otherwise known as the inner ring road. The opening of the new £11.5m extension to the Herbert Art Gallery and Museum, designed by architects Pringle Richards Sharratt, is the latest chapter in the transformation of key sites in the city centre.

The Independent (UK)

 

London Auctions To Be A Shadow Of Their 2008 Selves (London, UK)

Works by Lucio Fontana, Francis Bacon and Jeff Koons will fail to lift the total estimate of London's contemporary-art sales next month above a quarter of 2008's level. The evening auctions by Sotheby's, Christie's International and Phillips de Pury carry a total low estimate of 38.4 million pounds ($55.9 million), according to Bloomberg calculations. This is 23 percent of the 164.3 million pounds in equivalent sales estimates in 2008.

Bloomberg

 

In Australia, New Legal Protection For Aboriginal Artists (Australia)

Australia has launched a draft code regulating the sale of Aboriginal art, worth as much as A$500 million ($330 million) per year. It aims to outlaw so-called carpetbagging, when dealers exploit artists and buy their work cheaply for alcohol or drugs. Australia has launched a draft code regulating the sale of Aboriginal art, worth as much as A$500 million ($330 million) per year. It aims to outlaw so-called carpetbagging, when dealers exploit artists and buy their work cheaply for alcohol or drugs.

Bloomberg